This is warmly sensual and playfully intellectual, like so much of Freddie Omm’s poetry!
It plays with (and “teases“) the form of the villanelle, too: the form breaks free of its traditional constraints, the form itself becomes expressive of the content it contains and gives form to.
This is similar to an ecstatic expression of the thoughts of Krishnamurti at his best—albeit Krishnamurti was rather more reticent and circumspect on the plane of sexual bliss.
This is warmly sensual and playfully intellectual, like so much of Freddie Omm’s poetry!
It plays with (and “teases“) the form of the villanelle, too: the form breaks free of its traditional constraints, the form itself becomes expressive of the content it contains and gives form to.
This is similar to an ecstatic expression of the thoughts of Krishnamurti at his best—albeit Krishnamurti was rather more reticent and circumspect on the plane of sexual bliss.